Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana made "Troisième Concert, RCT 9: III. I Tambourin et II Tambourin en rondeau" available on March 4, 2022. The duration of Troisième Concert, RCT 9: III. I Tambourin et II Tambourin en rondeau is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Troisième Concert, RCT 9: III. I Tambourin et II Tambourin en rondeau's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana's "Jean-Philippe Rameau: Pièces De Clavecin En Concerts" album is number 10 out of 16. On top of that, Netherlands appears to be the country where this track was created. Troisième Concert, RCT 9: III. I Tambourin et II Tambourin en rondeau is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Troisième Concert, RCT 9: III. I Tambourin et II Tambourin en rondeau by Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Les tendres plaintes--Rondeau, RCT 3/1 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 | Daniel Barenboim | F Minor | 1 | 4A | 71 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM |
Section: 0.7239797115325928
End: 0.7296385765075684