Franz Liszt, Jenő Jandó's 'Grandes Etudes de Paganini, S141/R3b: Grandes Etudes de Paganini, S141/R3b: No. 3 in G sharp minor, "La campanella"' came out on February 26, 1993. With this song being about 5 minutes long, at 4:48, "Grandes Etudes de Paganini, S141/R3b: Grandes Etudes de Paganini, S141/R3b: No. 3 in G sharp minor, "La campanella"" by Franz Liszt, Jenő Jandó is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt's "Liszt: The Best of Liszt" album is number 6 out of 8. On top of that, Hong Kong appears to be the country where this track was created. Grandes Etudes de Paganini, S141/R3b: Grandes Etudes de Paganini, S141/R3b: No. 3 in G sharp minor, "La campanella" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grandes Etudes de Paganini, S141/R3b: Grandes Etudes de Paganini, S141/R3b: No. 3 in G sharp minor, "La campanella" by Franz Liszt, Jenő Jandó to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Libor Pešek, Slovac Philharmony | E Major | 0 | 12B | 131 BPM | ||
シューマン:トロイメライ | Robert Schumann, Shinya Kiyozuka | F Major | 0 | 7B | 52 BPM | ||
白鳥の湖 〜情景 | ステファン・ゾルテス, ウィーン交響楽団 | E Minor | 3 | 9A | 86 BPM | ||
G線上のアリア(J.S.バッハ/ヴィルヘルミ編) | 千葉純子, 浦壁信二 | C Major | 1 | 8B | 79 BPM | ||
プレリュード ニ短調 作品28-24 | Kai Ichinose | A Minor | 3 | 8A | 127 BPM | ||
ピアノ・ソナタ第2番変ロ短調作品36 第1楽章: アレグロ・アジタート - 1931年版 | Sergei Rachmaninoff, 角野隼斗 | A Minor | 2 | 8A | 91 BPM | ||
ピアノ・ソナタ 第2番 変ロ短調 Op.35 「葬送」~第3楽章 葬送行進曲 | セルジオ・ティエンポ | D♭ Major | 0 | 3B | 103 BPM | ||
Piano Sonata in E Minor, Op. 7: I. Allegro moderato | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 1 | 12B | 78 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | Ludwig van Beethoven, Jenő Jandó | F♯ Minor | 1 | 11A | 83 BPM | ||
Offenbach: 天国と地獄 | Cremieux & Halevy, ジャック・オッフェンバック, ウィリアム・ジョーンズ, コンセル・ソンドール | D Major | 4 | 10B | 158 BPM |
Section: 0.6874091625213623
End: 0.6919312477111816