"ピアノ・ソナタ 第2番 変ロ短調 Op.35 「葬送」~第3楽章 葬送行進曲" by セルジオ・ティエンポ was released on September 18, 2013. Since ピアノ・ソナタ 第2番 変ロ短調 Op.35 「葬送」~第3楽章 葬送行進曲 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ショパン 人気曲ベスト35, so we believe that "ピアノ・ソナタ 第2番 変ロ短調 Op.35 「葬送」~第3楽章 葬送行進曲" is a single. In terms of popularity, ピアノ・ソナタ 第2番 変ロ短調 Op.35 「葬送」~第3楽章 葬送行進曲 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ピアノ・ソナタ 第2番 変ロ短調 Op.35 「葬送」~第3楽章 葬送行進曲 by セルジオ・ティエンポ is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ワルツ 変イ長調(ブラームス) | イエルク・デームス | A♭ Major | 0 | 4B | 78 BPM | ||
Piano Sonata No. 18 in G, D.894: III. Menuetto (Allegro moderato) | Franz Schubert, Daniel Barenboim | B♭ Major | 0 | 6B | 115 BPM | ||
星の降る丘から(清塚信也) | Shinya Kiyozuka | A Minor | 1 | 8A | 71 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 146 BPM | ||
《超絶技巧練習曲》S.139: Liszt: 《超絶技巧練習曲》S.139 - 第5番: 鬼火 - 1983年、ストックホルムにてライヴ録音 | Franz Liszt, Fujiko Hemming | A♭ Major | 3 | 4B | 140 BPM | ||
G線上のアリア | Johann Sebastian Bach, Tomoko Kato, ダン・サンダース | D Major | 5 | 10B | 116 BPM | ||
ユーモレスク | Antonín Dvořák, ウィリアム・ジョーンズ, コンセル・ソンドール | G Major | 0 | 9B | 72 BPM | ||
24 Preludes, Op. 11: No. 20 in C Minor | Alexander Scriabin, Maria Lettberg | F Minor | 2 | 4A | 138 BPM | ||
サン=サーンス:序奏とロンド・カプリチオーソ | Camille Saint-Saëns, 四月は君の嘘 僕と君との音楽帳 | B♭ Major | 3 | 6B | 200 BPM | ||
月光ソナタ (第1楽章) | Ludwig van Beethoven, 及川浩治 | D♭ Minor | 0 | 12A | 81 BPM |
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