"Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins" by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain was released on October 1, 1990. The duration of Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins is about 3 minutes long, at 3:12. Based on our data, "Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 2 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2, Allegro,Opus 102 | Chicago Symphony Orchestra | B♭ Major | 3 | 6B | 144 BPM | ||
Dance Symphony (1999 Digital Remaster): Introduction: Lento - molto allegro | Aaron Copland, Enrique Bátiz/Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Orquesta Filarmónica de la Ciudad de México | C Major | 0 | 8B | 130 BPM | ||
Pines Of Rome, P. 141: 2. The Pines Near A Catacomb | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 79 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt (The Hero's Field of Battle) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 4 | 5B | 133 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: II. Stürmisch bewegt, mit grösster Vehemenz | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | E♭ Minor | 2 | 2A | 80 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Appalachian Spring: V. Subito allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 92 BPM | ||
Otello / Act 3: "Vieni; l'aula è deserta" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Luciano Pavarotti, Chicago Symphony Orchestra, Sir Georg Solti | B Major | 1 | 1B | 173 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
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