Robert Schumann, Claude Debussy, Daniela Ballek, Agathe Wanek's 'Studies for Pedal Piano, Op. 56: No. 3 in E Major' came out on August 1, 2014. With Studies for Pedal Piano, Op. 56: No. 3 in E Major being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 7 in the song's album "Schumann: Andante & Variations, Op. 46 & 6 Studies for Pedal Piano, Op. 56". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Studies for Pedal Piano, Op. 56: No. 3 in E Major is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Studies for Pedal Piano, Op. 56: No. 3 in E Major by Robert Schumann, Claude Debussy, Daniela Ballek, Agathe Wanek having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
愛の夢 第3番 | Jan Panenka | A♭ Major | 1 | 4B | 62 BPM | ||
Hungarian Dance No. 8 in A Minor (Arr. Solo Piano by Bauer) - Duo-Art 5668 | Johannes Brahms, Harold Bauer, Peter Phillips | A Minor | 3 | 8A | 89 BPM | ||
Vier Lieder für das Pianoforte, op. 2 - No 1 Andante | Fanny Mendelssohn, Martin Malto | D Major | 1 | 10B | 144 BPM | ||
6 Etudes, Op. 111: V. Tierces majeures chromatiques | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Melodies poetiques, Op. 36: IX. En valsant | Giovanni Sgambati, Francesco Caramiello | E Major | 1 | 12B | 82 BPM | ||
Variations on a Polish Theme, Op. 10: No. 3 Lento mesto ma poco agitato | Karol Szymanowski, Martin Roscoe | F♯ Minor | 0 | 11A | 68 BPM | ||
Variation 4 - L'istesso tempo | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Fire Pianostykker, Op. 9: III. Berceuse | Signe Lund, Rune Alver | G Minor | 2 | 6A | 120 BPM | ||
Theme & Variations in F-Sharp Minor, Op. 72: Var. 11, Allegretto | Alexander Glazunov, Duane Hulbert | F♯ Major | 1 | 2B | 138 BPM |
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