"Fantasie in C Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen" by Robert Schumann, Jonathan Biss was released on January 8, 2007. Fantasie in C Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Schumann Recital". In this album, this song's track order is #1. Fantasie in C Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasie in C Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen by Robert Schumann, Jonathan Biss having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Maria João Pires | F♯ Major | 0 | 2B | 66 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Schumann: Kinderszenen, Op. 15: No. 13, Der Dichter spricht | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 95 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. Piano) | Gabriel Fauré, Alan Feinberg | F Minor | 2 | 4A | 134 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Minuet in E Major, D. 335 | Franz Schubert, Arcadi Volodos | E Major | 0 | 12B | 61 BPM | ||
Piano Sonata No.16 in C, K.545 "Sonata facile": 2. Andante | Wolfgang Amadeus Mozart, András Schiff | G Major | 0 | 9B | 67 BPM |
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