Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti's 'The Sleeping Beauty, Op.66, TH.13 / Act 3: 23. Pas de quatre: Variations I-IV - Coda' came out on January 1, 1981. With this song being about 5 minutes long, at 4:31, "The Sleeping Beauty, Op.66, TH.13 / Act 3: 23. Pas de quatre: Variations I-IV - Coda" by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #12. Based on our statistics, The Sleeping Beauty, Op.66, TH.13 / Act 3: 23. Pas de quatre: Variations I-IV - Coda's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op.66, TH.13 / Act 3: 23. Pas de quatre: Variations I-IV - Coda by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16b, Pas de deux de Fanny Elssler. Girl's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 186 BPM | ||
Sinfonia for Strings in G major, RV 149: II. Andante | Karoly Botvay | D Major | 0 | 10B | 114 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Symphony No. 1 in D Major "Titan": IVa. Stürmisch bewegt | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B♭ Minor | 3 | 3A | 114 BPM | ||
The Battle of Stalingrad Suite: To Victory - There is a Cliff on the Volga | Aram Khachaturian, Slovak Radio Symphony Orchestra, Adriano | D Minor | 1 | 7A | 79 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 3: 22. Polacca (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | G Major | 4 | 9B | 102 BPM | ||
Act II: Variation Of The Chief Dryad (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 102 BPM | ||
Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM |
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