Peter Philips, Choir of Clare College, Cambridge, Timothy Brown's 'Ascendit Deus' came out on October 16, 1995. The duration of Ascendit Deus is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Ascendit Deus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Tudor Anthems - From the Oxford Book of Tudor Anthems". In this album, this song's track order is #16. Ascendit Deus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ascendit Deus by Peter Philips, Choir of Clare College, Cambridge, Timothy Brown having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
O quam suavis | Peter Philips, Marie-Noëlle De Callataÿ, Marius Van Altena, Herman Stinders | D Major | 1 | 10B | 122 BPM | ||
Gaudent in caelis | Peter Philips, Marie-Noëlle De Callataÿ, Greta de Reyghere, Josep Cabre, Herman Stinders | G Major | 2 | 9B | 100 BPM | ||
In Nomine à 5 "Crye" | Christopher Tye, Fretwork | C Minor | 1 | 5A | 96 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Rubum quem: Rubum quem | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | B Major | 1 | 1B | 176 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM |
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