Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Les Talens Lyriques's 'Les Horaces, Intermède I: Sinfonia' came out on 2016. With Les Horaces, Intermède I: Sinfonia being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 55 in Antonio Salieri: Les Horaces by Antonio Salieri, Nicolas-François Guillard, Julien Dran, Jean-Sébastien Bou, Judith van Wanroij, Andrew Foster-Williams, Christophe Rousset, Les Talens Lyriques, Cyrille Dubois, Les Chantres du Centre de Musique Baroque de Versailles. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Les Horaces, Intermède I: Sinfonia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Horaces, Intermède I: Sinfonia by Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Les Talens Lyriques is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Les Danaides, 1. Akt, 1. Szene: Un poco adagio | Antonio Salieri, Francois Bailly, Louis Théodore Baron de Tchudy, Radio-Sinfonieorchester Stuttgart/Gianluigi Gelmetti, Gianluigi Gelmetti, Radio-Sinfonieorchester Stuttgart | E♭ Major | 1 | 5B | 97 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Major | 3 | 9B | 122 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM |
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