Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ich spür' soeben" - "Freudig empfangen wir"
Gustav Mahler, Johan Botha, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Aurelius Sangerknaben Calw
Mahler: Symphony No. 8
1:18 January 1, 2007
BPM
126
Key
D♭ Major
Camelot
3B

Embed

Share Link

Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ich spür' soeben" - "Freudig empfangen wir" - Gustav Mahler, Johan Botha, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Aurelius Sangerknaben Calw Information

Acousticness
98%
Danceability
26%
Energy
10%
Instrumentalness
5%
Liveness
10%
Loudness
61%
Speechiness
4%
Valence
8%
Popularity
Loudness
-23.53 dB

Summary

"Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ich spür' soeben" - "Freudig empfangen wir"" by Gustav Mahler, Johan Botha, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Aurelius Sangerknaben Calw was released on January 1, 2007. With Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ich spür' soeben" - "Freudig empfangen wir" being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, Staatskapelle Berlin, Pierre Boulez's "Mahler: Symphony No. 8" album is number 9 out of 24. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ich spür' soeben" - "Freudig empfangen wir"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ich spür' soeben" - "Freudig empfangen wir" BPM

We consider the tempo marking of Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ich spür' soeben" - "Freudig empfangen wir" by Gustav Mahler, Johan Botha, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Aurelius Sangerknaben Calw to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.

Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ich spür' soeben" - "Freudig empfangen wir" Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le roi s'amuse: Madrigal by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: MadrigalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Major011B82 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
10 Pieces, Op. 12: No. 7. Prelude by Sergei Prokofiev, Olli Mustonen10 Pieces, Op. 12: No. 7. PreludeSergei Prokofiev, Olli MustonenC Major18B77 BPM
Masquerade Suite: Nocturne by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre AnichanovMasquerade Suite: NocturneAram Khachaturian, St. Petersburg State Symphony Orchestra, Andre AnichanovA Major111B105 BPM
Symphony No. 9 in D Major: II. Ländler: No. 5, Tempo I. Wie zu Anfang by Gustav Mahler, Mahler Academy Orchestra, Philipp von SteinaeckerSymphony No. 9 in D Major: II. Ländler: No. 5, Tempo I. Wie zu AnfangGustav Mahler, Mahler Academy Orchestra, Philipp von SteinaeckerD♭ Major03B86 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto by Francis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraPoulenc: Concerto for Two Pianos in D Minor, FP 61: II. LarghettoFrancis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraB♭ Major06B84 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale by Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungThe Firebird (L'oiseau De Feu) - Suite (1919): FinaleIgor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungE Major212B78 BPM
Symphony No. 9 in E Minor, Op. 95 Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro moltoAntonín Dvořák, New York Philharmonic, Alan GilbertE Minor19A125 BPM
Scheherazade: The voice of Scheherazade by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: The voice of ScheherazadeNikolai Rimsky-Korsakov, Joakim SvenhedenG Major19B132 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: II. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major04B94 BPM
ISRC
DEN960730417
Label
L-M Records/RCA Records

Section: 0.7866380214691162

End: 0.7915983200073242