"Cantique à l'épouse, OP.36, No.1 (Jounet)" by Ernest Chausson, Gérard Souzay, Jacqueline Bonneau was released on January 1, 2003. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 28 in Fauré/Chausson: French Airs by Gérard Souzay, Jacqueline Bonneau. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cantique à l'épouse, OP.36, No.1 (Jounet) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantique à l'épouse, OP.36, No.1 (Jounet) by Ernest Chausson, Gérard Souzay, Jacqueline Bonneau is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Concert in D Major for Piano, Violin and String Quartet, Op. 21: II. Sicilienne | Ernest Chausson, Jennifer Pike, Tom Poster, Doric String Quartet | A Minor | 0 | 8A | 67 BPM | ||
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: II. Lento | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | C Major | 0 | 8B | 137 BPM | ||
Deux poèmes de Louis Aragon, FP 122: I. C | Francis Poulenc, Sophie Karthäuser, Eugene Asti | F Major | 0 | 7B | 79 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (f) Etwas bewegter (Alto, Soprano, Chorus) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 0 | 4A | 145 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
Viola Sonata: II. Vivace | Rebecca Clarke, Philip Dukes, Sophia Rahman | G Major | 1 | 9B | 67 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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