Johann Sebastian Bach, Raphaël Feuillâtre's 'Orgelbüchlein, BWV 599-644: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Abiton for Guitar)' came out on November 25, 2022. The duration of Orgelbüchlein, BWV 599-644: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Abiton for Guitar) is about 3 minutes long, at 3:14. Based on our data, "Orgelbüchlein, BWV 599-644: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Abiton for Guitar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in J.S. Bach: Orgelbüchlein, BWV 599-644: Ich ruf' zu Dir, Herr Jesu Christ, BWV 639 (Arr. Abiton for Guitar) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Orgelbüchlein, BWV 599-644: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Abiton for Guitar)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orgelbüchlein, BWV 599-644: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Abiton for Guitar) by Johann Sebastian Bach, Raphaël Feuillâtre to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: II. Adagio | Wolfgang Amadeus Mozart, Robert Levin, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Major | 0 | 10B | 179 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM |
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