Gisela Schunk, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra's ' "Die beiden Pädagogen - Gesamtaufnahme (1996 - Remaster): Dialog" was released on its scheduled release date, June 8, 2012. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Die beiden Pädagogen - Gesamtaufnahme (1996 - Remaster): Dialog's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinz Wallberg/Krisztina Laki/Dietrich Fischer-Dieskau/Adolf Dallapozza's "Mendelssohn: Die beiden Pädagogen" album is number 17 out of 24. On top of that, Germany appears to be the country where this track was created. Die beiden Pädagogen - Gesamtaufnahme (1996 - Remaster): Dialog is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Die beiden Pädagogen - Gesamtaufnahme (1996 - Remaster): Dialog by Gisela Schunk, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Myrthen, Op. 25: I. Widmung | Роберт Шуман, Franz Liszt, Даниил Трифонов, Valery Gergiev, Симфонический оркестр Мариинского театра | A♭ Major | 0 | 4B | 121 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer | Nino Rota, Alice Sara Ott | E Major | 1 | 12B | 71 BPM |