Gewandhausorchester Leipzig, Peter Schreier, Theo Adam, Rudolf Mauersberger, Erhard Mauersberger's 'J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus)' came out on 1975. With J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 2 out of 68. In terms of popularity, J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) by Gewandhausorchester Leipzig, Peter Schreier, Theo Adam, Rudolf Mauersberger, Erhard Mauersberger to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM | ||
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | ||
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. Vivace | Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens | D Minor | 2 | 7A | 86 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM |
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