J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus)
Gewandhausorchester Leipzig, Peter Schreier, Theo Adam, Rudolf Mauersberger, Erhard Mauersberger
Johann Sebastian Bach: Matthäus-Passion
0:55 1975
BPM
102
Key
G Major
Camelot
9B

Embed

Share Link

J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) - Gewandhausorchester Leipzig, Peter Schreier, Theo Adam, Rudolf Mauersberger, Erhard Mauersberger Information

Acousticness
98%
Danceability
28%
Energy
20%
Instrumentalness
0%
Liveness
9%
Loudness
65%
Speechiness
5%
Valence
22%
Popularity
Loudness
-21.119 dB

Summary

Gewandhausorchester Leipzig, Peter Schreier, Theo Adam, Rudolf Mauersberger, Erhard Mauersberger's 'J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus)' came out on 1975. With J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 2 out of 68. In terms of popularity, J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) BPM

We consider the tempo marking of J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) by Gewandhausorchester Leipzig, Peter Schreier, Theo Adam, Rudolf Mauersberger, Erhard Mauersberger to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

J. S. Bach: Matthäus-Passion/Erster Teil/Da Jesus die Rede vollendet hatte (Evangelist/Jesus) Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonata in A Minor, L 241 by Domenico Scarlatti, Vladimir HorowitzSonata in A Minor, L 241Domenico Scarlatti, Vladimir HorowitzE Minor09A79 BPM
Lo frate 'nnamorato: II. Andante by Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoLo frate 'nnamorato: II. AndanteGiovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoE Minor59A165 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 by Luc BeauséjourThe Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846Luc BeauséjourB Major31B78 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf by Edvard Grieg, Alice Sara OttLyric Pieces Book I, Op. 12: No. 7 Album LeafEdvard Grieg, Alice Sara OttD Major210B121 BPM
Concerto in C Minor: I. Introduzione - Larghetto by Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia OrchestraConcerto in C Minor: I. Introduzione - LarghettoDomenico Cimarosa, John Anderson, Simon Wright, Philharmonia OrchestraC Minor15A126 BPM
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital RemasterGeorge Frideric Handel, Sviatoslav RichterE Major012B144 BPM
Gottes Zeit ist die allerbeste Zeit, Sonatina az Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106Johann Sebastian Bach, Márta Kurtág, György KurtágE♭ Major05B74 BPM
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette by Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold KuijkenSinfonia melodica in C Major, TWV 50:2: VI. ChaconnetteGeorg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold KuijkenA♭ Major34B140 BPM
Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. Vivace by Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene GoossensDouble Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. VivaceJohann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene GoossensD Minor27A86 BPM
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] by Johannes Brahms, Yo-Yo MaWiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]Johannes Brahms, Yo-Yo MaE♭ Major05B134 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7756972312927246

End: 0.7804036140441895