Les Contes d'Hoffmann / Act 1: Prélude - "Glou, glou, glou! Je suis la bière" - Jacques Offenbach, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate Information

Acousticness: 99%
Danceability: 50%
Energy: 8%
Instrumentalness: 0%
Liveness: 36%
Loudness: 59%
Speechiness: 7%
Valence: 52%
Popularity: 5%
Loudness: -24.392 dB

Summary

Jacques Offenbach, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 1: Prélude - "Glou, glou, glou! Je suis la bière"" available on January 1, 1992. The duration of Les Contes d'Hoffmann / Act 1: Prélude - "Glou, glou, glou! Je suis la bière" is about 3 minutes long, at 3:05. Based on our data, "Les Contes d'Hoffmann / Act 1: Prélude - "Glou, glou, glou! Je suis la bière"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 1: Prélude - "Glou, glou, glou! Je suis la bière" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Les Contes d'Hoffmann / Act 1: Prélude - "Glou, glou, glou! Je suis la bière" BPM

With Les Contes d'Hoffmann / Act 1: Prélude - "Glou, glou, glou! Je suis la bière" by Jacques Offenbach, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Les Contes d'Hoffmann / Act 1: Prélude - "Glou, glou, glou! Je suis la bière" Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Madama Butterfly / Act 2: "Un bel dì vedremo"	Giacomo Puccini, Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli	D♭ Major	1	3B	173 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
M. Glinka: Overture To Opera "Ruslan and Lyudmila"	Chicago Symphony Orchestra, L. Smit	A Major	1	11B	82 BPM
Sinding / Arr Sitt : Rustle of Spring	Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen	F Minor	2	4A	90 BPM
" Faust " , Ballettmusik: Nr. 5 Moderato con moto	Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt	A Major	0	11B	80 BPM
Sibelius: Finlandia, Op. 26	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	150 BPM
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4	London Festival Orchestra Alfred Scholz	D Minor	1	7A	123 BPM
8 Slavonic Dances, Op.46, B.83: No.7 in C Minor (Allegro assai)	Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek	C Minor	2	5A	134 BPM
Si, Mi Chiamano Mimì - la Boheme Atto I	Renata Tebaldi	D Major	2	10B	80 BPM
Les contes d'Hoffmann: Barcarolle from The Tales of Hoffmann (arr. P.Nagy)	Péter Nagy, Jacques Offenbach	D Major	0	10B	140 BPM

ISRC: NLA508543601
Label: L-M Records/RCA Records

Section: 0.7347619533538818

End: 0.7386298179626465