"Prelude, Op. 64 No. 16 in F Minor: Andantino" by César Cui, Christoph Deluze was released on January 1, 2004. The duration of Prelude, Op. 64 No. 16 in F Minor: Andantino is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Prelude, Op. 64 No. 16 in F Minor: Andantino's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 20 in Cui: Piano Works by César Cui, Christoph Deluze. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Prelude, Op. 64 No. 16 in F Minor: Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude, Op. 64 No. 16 in F Minor: Andantino by César Cui, Christoph Deluze is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 pièces brèves, Op.84: 5. Improvisation in C sharp minor | Gabriel Fauré, Kun-Woo Paik | D♭ Major | 0 | 3B | 74 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
4 Impromptus, Op. 142, D. 935: No. 2 in A-Flat Major: Allegretto | Franz Schubert, Krystian Zimerman | A♭ Major | 0 | 4B | 68 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Jugendklange, Op. 32: No. 12. Grosses Geheimnis | Robert Fuchs, Daniel Blumenthal | B Minor | 0 | 10A | 0 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Piano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivace | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 102 BPM | ||
Piano Trio in G Minor, Op. 17: III. Andante - più animato | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Klöckner | G Major | 1 | 9B | 110 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |
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