"Symphony No. 55 in C Major: II. Andante non tanto" by Christian Cannabich, Freiburger Barockorchester, Gottfried von der Golz was released on May 19, 2023. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Freiburger Barockorchester, Georg Joseph Vogler, Gottfried von der Golz, Christian Cannabich, Wolfgang Amadeus Mozart's "Mozart's Mannheim" album is number 3 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No. 55 in C Major: II. Andante non tanto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 55 in C Major: II. Andante non tanto by Christian Cannabich, Freiburger Barockorchester, Gottfried von der Golz to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fischer und das Milchmädchen: VIII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
ス・ワンダフル | アンサンブル・ジャック・アンド・ジルズ | C Major | 3 | 8B | 135 BPM | ||
Flute Concerto No. 5 in F Major: IIc. Var. 2, Andante cantabile | Saverio Mercadante, Patrick Gallois, Czech Philharmonic Chamber Orchestra | F Major | 1 | 7B | 83 BPM | ||
Theme and Variations in F Major, Op. 97: Theme | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | A Major | 1 | 11B | 144 BPM | ||
Piano Concerto No. 2 in F Major: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Major | 0 | 8B | 122 BPM | ||
Primavera-花降る日 | 冬野ユミ | C Major | 1 | 8B | 170 BPM | ||
Fiorella, S. 15: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | B♭ Major | 1 | 6B | 111 BPM | ||
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: I. Allegro | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | A Major | 2 | 11B | 80 BPM | ||
Symphony No. 62 in D Major, Hob. I:62: II. Allegretto | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Serenade for Winds in D Minor, Op. 44: I. Moderato, quasi Marcia | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | D Minor | 1 | 7A | 101 BPM |
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