"Gesualdo: Libro Sesto: VI" by Michael Finnissy, Exaudi Vocal Ensemble, James Weeks was released on May 18, 2018. The duration of Gesualdo: Libro Sesto: VI is about 3 minutes long, at 3:04. Based on our data, "Gesualdo: Libro Sesto: VI" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michael Finnissy, Exaudi Vocal Ensemble, James Weeks's "Michael Finnissy Vocal Works 1974-2015" album is number 6 out of 10. On top of that, Germany appears to be the country where this track was created. Gesualdo: Libro Sesto: VI is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gesualdo: Libro Sesto: VI by Michael Finnissy, Exaudi Vocal Ensemble, James Weeks to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
The Breaking of the Fellowship (feat. "In Dreams") | Howard Shore, Edward Ross | D Major | 1 | 10B | 79 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B♭ Major | 2 | 6B | 149 BPM | ||
Gnossienne: No. 3 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 113 BPM | ||
La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Spiegel im spiegel | Arvo Pärt, Angèle Dubeau, La Pietà | F Major | 1 | 7B | 84 BPM | ||
Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Ensemble Musique Oblique | A Minor | 0 | 8A | 127 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM |
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