Franz Joseph Haydn, Midori Seiler, Concerto Köln's 'Violin Concerto in G Major, Hob. VIIa:4: III. Finale. Allegro' came out on February 21, 2014. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Midori Seiler, Concerto Köln's "Haydn: Violin Concertos" album is number 9 out of 10. Based on our statistics, Violin Concerto in G Major, Hob. VIIa:4: III. Finale. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto in G Major, Hob. VIIa:4: III. Finale. Allegro by Franz Joseph Haydn, Midori Seiler, Concerto Köln to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 0 | 8B | 70 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Sonata No. 84 in D Major, R;413 | Antonio Soler, Luis Fernando Pérez | D Major | 2 | 10B | 130 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 128 BPM |
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