"Tiefland, Op. 34: Act II, Scene 8: "Was wollt ihr, he?"" by Eugen d'Albert, Staatskapelle Dresden, Paul Schmitz, Ernst Gutstein, Theo Adam, Hannelore Kuhse had its release date on January 1, 1965. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 39 in d'Albert: Tiefland by Eugen d'Albert, Staatskapelle Dresden, Chor der Staatsoper Dresden, Theo Adam, Paul Schmitz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Tiefland, Op. 34: Act II, Scene 8: "Was wollt ihr, he?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tiefland, Op. 34: Act II, Scene 8: "Was wollt ihr, he?" by Eugen d'Albert, Staatskapelle Dresden, Paul Schmitz, Ernst Gutstein, Theo Adam, Hannelore Kuhse is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Minor, Hob. XVI:34: Sonata in E Minor, Hob. XVI:34: I. Presto | Joseph Haydn, Paul Lewis | G Major | 2 | 9B | 139 BPM | ||
Hymne à l'amour (Arr. for Piano by Roberto Piana) | Marguerite Monnot, Carlos Manuel Vargas | E Minor | 1 | 9A | 41 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: Ia. Theme. Andante grazioso | Wolfgang Amadeus Mozart, Angela Hewitt | A Major | 0 | 11B | 74 BPM | ||
French Suite No. 6: Part 1: Allemande, Courante - Duo-Art 7080 | Johann Sebastian Bach, Harold Samuel, Peter Phillips | G Major | 0 | 9B | 71 BPM | ||
Suite in D Minor, HWV 428: I. Prélude | George Frideric Handel, Ragna Schirmer | G Minor | 2 | 6A | 79 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Carlo Balzaretti | E Minor | 2 | 9A | 136 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major: Allegro poco moderato | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
Tiefland: Act I Scene 7: Ist Pedro noch nicht da? (Sebastiano, Pepa, Pedro, Tommaso, Marta, Nuri, Rosalia, Antonia, Manner, Women) | Eugen d'Albert, Lisa Gasteen, Johan Botha, Falk Struckmann, Kwangchul Youn, Adriane Queiroz, Raymond Very, Jochen Schmeckenbecher, Anna Maria Pammer, Beatrice Petitet-Kircher, Ulrike Pichler-Steffen, Wiener Singakademie, Vienna Radio Symphony Orchestra, Bertrand de Billy | D♭ Major | 2 | 3B | 114 BPM | ||
Mazurka in B-Flat Major, Op. 32 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Haydn: Sonata in D, Hob.XVI:37: III. Finale. Presto Ma Non Troppo - From Aeolian Piano Roll | Joseph Haydn, Manuel del Corral | F Major | 0 | 7B | 111 BPM |