George Frideric Handel, Ragna Schirmer's 'Suite in D Minor, HWV 428: I. Prélude' came out on March 13, 2009. With Suite in D Minor, HWV 428: I. Prélude being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Ragna Schirmer's "Handel: Keyboard Suites" album is number 16 out of 71. On top of that, Germany appears to be the country where this track was created. Suite in D Minor, HWV 428: I. Prélude is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite in D Minor, HWV 428: I. Prélude by George Frideric Handel, Ragna Schirmer to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988 (Arr. for 2 Pianos by Joseph Gabriel Rheinberger): Var. 14 | Johann Sebastian Bach, Elena Valentini, Matteo Liva | G Major | 0 | 9B | 118 BPM | ||
Etude Op. 136 Nr. 20 | Carl Albert Loeschhorn, José Manuel Ortega Caballo | E Minor | 2 | 9A | 175 BPM | ||
Two Gavottes, WoO 3: No. 1 in A Minor | Johannes Brahms, Sara Costa | B♭ Major | 2 | 6B | 85 BPM | ||
Piano Sonatina in F Major, Op. 55, No. 4: II. Andantino con espressione | Friedrich Kuhlau, Jenő Jandó | B♭ Major | 0 | 6B | 81 BPM | ||
Der Fischer und das Milchmädchen: XV. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
ショパン: ピアノ協奏曲 第1番 ホ短調 作品11 第3楽章 Rondo. Vivace | レフ・シマノフスキ (Piano: シモン・ネーリング), ヤツェク・カスプシク, ワルシャワ国立フィルハーモニー管弦楽団 | E Major | 2 | 12B | 113 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Landler (Tirolese) - Duo-Art 6110 | Giovanni Sgambati, Peter Phillips, Winifred Byrd | E♭ Major | 2 | 5B | 71 BPM | ||
Sarabande und Chaconne aus dem Singspiel Almira von Händel, S. 181: Chaconne | Franz Liszt, George Frideric Handel, Roberto Cominati | G Minor | 3 | 6A | 72 BPM | ||
Piano Songs: No. 2 Choral | Martin Stadtfeld | A♭ Major | 0 | 4B | 119 BPM |
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