"Toccata (From "Suite Gothique") (Boëlmann)" by Arturo Sacchetti was released on 1995. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Organ Festival". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Toccata (From "Suite Gothique") (Boëlmann) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Toccata (From "Suite Gothique") (Boëlmann) by Arturo Sacchetti having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Prose of the Consecration (Jerusalem et Sion Filiae) | Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 0 | 5A | 129 BPM | ||
Psaume Xviii "I Cieli Immensi Narrano" | Arturo Sacchetti | B Major | 1 | 1B | 168 BPM | ||
Suite No. 3: Carillon de Westminster | Louis Vierne, Olivier Latry | D Major | 2 | 10B | 75 BPM | ||
Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata. Allegro | Charles-Marie Widor, Christian Schmitt | F Major | 3 | 7B | 108 BPM | ||
La passione di Cristo secondo San Marco (After L. Perosi): No. 3, Vivo. Et hymno dicto | Marco Enrico Bossi, Arturo Sacchetti | D♭ Minor | 0 | 12A | 58 BPM | ||
Johann Sebastian Bach : Corale della cantata, BWV 147 | Arturo Sacchetti | G Major | 0 | 9B | 176 BPM | ||
Baroque Suite: III. Verset in the Dorian Mode | J. H. Reginald Dixon, Ian Hare | A Minor | 0 | 8A | 0 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
La nativité du Seigneur: 9. Dieu parmi nous | Olivier Messiaen, Olivier Latry | B Major | 2 | 1B | 64 BPM |
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