Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86
Claude Debussy, Sir John Barbirolli, Hallé
Rimsky-Korsakov: Capriccio espagnol - Debussy: Prélude à l'après-midi d'un faune - Chabrier: España
8:42 January 1, 1954
BPM
79
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86 - Claude Debussy, Sir John Barbirolli, Hallé Information

Acousticness
97%
Danceability
13%
Energy
8%
Instrumentalness
84%
Liveness
9%
Loudness
62%
Speechiness
4%
Valence
4%
Popularity
Loudness
-22.584 dB

Summary

"Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86" by Claude Debussy, Sir John Barbirolli, Hallé was released on January 1, 1954. Since Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rimsky-Korsakov: Capriccio espagnol - Debussy: Prélude à l'après-midi d'un faune - Chabrier: España". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86 BPM

With Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86 by Claude Debussy, Sir John Barbirolli, Hallé having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86 Key

D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Mephisto Waltz No. 1, S. 514 by Franz Liszt, Khatia BuniatishviliMephisto Waltz No. 1, S. 514Franz Liszt, Khatia BuniatishviliE Major212B132 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale by Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungThe Firebird (L'oiseau De Feu) - Suite (1919): FinaleIgor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungE Major212B78 BPM
Valse Mélancolique by Vladimir Rebikov, Christopher FerreiraValse MélancoliqueVladimir Rebikov, Christopher FerreiraB Minor110A113 BPM
Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievSix Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di ValsePyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievD♭ Major13B108 BPM
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) by Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn StottValse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano)Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn StottA Minor08A73 BPM
Three Piano Preludes: No. 2 by Frederick Delius, Eric ParkinThree Piano Preludes: No. 2Frederick Delius, Eric ParkinA Minor08A174 BPM
Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version) by Edvard Grieg, Cyprien KatsarisGrieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version)Edvard Grieg, Cyprien KatsarisG Major39B92 BPM
Après un rêve, Op. 7, No. 1 by Gabriel Fauré, Joshua BellAprès un rêve, Op. 7, No. 1Gabriel Fauré, Joshua BellG Minor26A59 BPM
Suite No. 3 in D, BWV 1068: 2. Air by Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von KarajanSuite No. 3 in D, BWV 1068: 2. AirJohann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von KarajanD Major210B173 BPM
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato by Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon RattleCello Concerto in E Minor, Op. 85: I. Adagio - ModeratoEdward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon RattleE Minor19A102 BPM
ISRC
GBAYC2000626
Label
L-M Records/RCA Records

Section: 0.7324237823486328

End: 0.7377867698669434