Marin Marais, David Tricou, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's 'Ariane et Bacchus, Prologue: Air. Sous cet heureux empire' had a release date set for March 17, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 6 out of 104. On top of that, France appears to be the country where this track was created. In terms of popularity, Ariane et Bacchus, Prologue: Air. Sous cet heureux empire is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ariane et Bacchus, Prologue: Air. Sous cet heureux empire by Marin Marais, David Tricou, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole, Cinquième livre, Suite No. 6: XVI. Le Rondeau Villeneuve | Marin Marais, La Rêveuse, Benjamin Perrot, Florence Bolton | F♯ Major | 1 | 2B | 114 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Le trophée: Gavotte pour les muses et les plaisirs. Gracieusement | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | F Major | 0 | 7B | 73 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Matthäus-Passion, BWV 244: Erbarme dich mein Gott | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | B♭ Minor | 1 | 3A | 82 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Passamezzo Antico: Zarabanda (Recercada V) | Diego Ortiz, Jordi Savall | F Major | 1 | 7B | 112 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Alcione - 3Ème Suite - Airs Pour Les Prêtresse Et Les Magiciens - Prélude De L'Acte Second | Jordi Savall, Marin Marais | F Major | 0 | 7B | 184 BPM |