"Piano Trio No. 2 in E flat major D.929: II. Andante con moto" by Renaud Capuçon was released on November 1, 2013. The duration of Piano Trio No. 2 in E flat major D.929: II. Andante con moto is about 3 minutes long, at 3:12. Based on our data, "Piano Trio No. 2 in E flat major D.929: II. Andante con moto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 61 in Coffret Nocturne - Radio Classique by Nocturne 4CD - Radio Classique. In terms of popularity, Piano Trio No. 2 in E flat major D.929: II. Andante con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Trio No. 2 in E flat major D.929: II. Andante con moto by Renaud Capuçon is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Bologne de Saint-George: Violin Concerto No. 9 in G Major, Op. 8: III. Rondeau | Joseph Bologne de Saint-George, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Major | 1 | 10B | 101 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Brahms: Piano Quartet No. 3 in C Minor, Op. 60: III. Andante | Johannes Brahms, Renaud Capuçon, Gautier Capuçon, Gérard Caussé, Nicholas Angelich | E Major | 0 | 12B | 111 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM |
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