"Klavierkonzert No. 2 in A Major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai" by New York Philharmonic, Guido Cantelli, Claudio Arrau was released on February 21, 2013. Since Klavierkonzert No. 2 in A Major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in New York Philharmonic, Guido Cantelli, Claudio Arrau's "Grosse Pianisten - Claudio Arrau" album is number 22 out of 28. In terms of popularity, Klavierkonzert No. 2 in A Major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Klavierkonzert No. 2 in A Major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai by New York Philharmonic, Guido Cantelli, Claudio Arrau to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird Suite (1919 Version): III. Variation of the Firebird | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E♭ Minor | 3 | 2A | 118 BPM | ||
Symphony No. 2 "The Age of Anxiety": Pt. 2a, The Dirge. Largo | Leonard Bernstein, Philippe Entremont, New York Philharmonic | A Major | 2 | 11B | 65 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
Three Pieces from Schindler's List: III. Remembrances | John Williams, Yo-Yo Ma, New York Philharmonic | E Minor | 0 | 9A | 133 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM |
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