"Les Heures persanes (Persian Hours), Op. 65bis: XV. La paix du soir, au cimetiere (The peace of evening, at the cemetery)" by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger was released on January 1, 2007. With this song being about 5 minutes long, at 4:43, "Les Heures persanes (Persian Hours), Op. 65bis: XV. La paix du soir, au cimetiere (The peace of evening, at the cemetery)" by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger's "Koechlin: Les Heures Persanes, Op. 65Bis" album is number 15 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Les Heures persanes (Persian Hours), Op. 65bis: XV. La paix du soir, au cimetiere (The peace of evening, at the cemetery)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Heures persanes (Persian Hours), Op. 65bis: XV. La paix du soir, au cimetiere (The peace of evening, at the cemetery) by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Sonatine francaise, Op. 60: No. 2: IV. Menuet | Charles Koechlin, Tal & Groethuysen | E Minor | 0 | 9A | 69 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Sonatine francaise, Op. 60: No. 2: I. Pastorale | Charles Koechlin, Tal & Groethuysen | C Major | 1 | 8B | 85 BPM | ||
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM | ||
Suite for Two Pianos, Op. 6: I. Andantino | Charles Koechlin, Tal & Groethuysen | C Major | 0 | 8B | 65 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM |
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