Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit made "Jeux d'enfants, Op. 22 WD 56 - Petite Suite: 1. Marche: Trompette et tambour" available on January 1, 1989. The duration of Jeux d'enfants, Op. 22 WD 56 - Petite Suite: 1. Marche: Trompette et tambour is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Jeux d'enfants, Op. 22 WD 56 - Petite Suite: 1. Marche: Trompette et tambour's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 18 in Fête à la française by Orchestre Symphonique de Montréal, Charles Dutoit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Jeux d'enfants, Op. 22 WD 56 - Petite Suite: 1. Marche: Trompette et tambour is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Jeux d'enfants, Op. 22 WD 56 - Petite Suite: 1. Marche: Trompette et tambour by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo, allegro spirituoso | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | D Major | 1 | 10B | 103 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM |
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