"Bachianas brasileiras No. 7: IV. Fuga: Conversa (Conversation)" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on November 15, 2005. Since Bachianas brasileiras No. 7: IV. Fuga: Conversa (Conversation) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #4 out of 29 tracks. Bachianas brasileiras No. 7: IV. Fuga: Conversa (Conversation) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 7: IV. Fuga: Conversa (Conversation) by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 7: IV. Fuga: Conversa (Conversation) being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
String Quartet No. 14 in D Minor, D.810 -"Death and the Maiden": 4. Presto | Franz Schubert, Hagen Quartett | D♭ Major | 1 | 3B | 149 BPM | ||
Suite No.2 For 2 Pianos, Op.17: 2. Waltz (Presto) | Sergei Rachmaninoff, Martha Argerich, Nelson Freire | D Major | 1 | 10B | 74 BPM | ||
Francesca da Rimini, Op. 25: Scene II: Moderato | Sergei Rachmaninoff, Mariana Zvetkova, Boiko Zvetanov, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Bachianas brasileiras No. 9: I. Prelude: Vagaroso e mistico | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Major | 0 | 8B | 81 BPM | ||
Symphony No.2 In D, Op.36: 2. Larghetto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 143 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: Allegro deciso - | Franz Liszt, Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow | B♭ Major | 3 | 6B | 131 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Concerto for 2 Pianos, FP 61: II. Larghetto | Francis Poulenc, Leonard Bernstein, New York Philharmonic | D♭ Major | 0 | 3B | 117 BPM | ||
Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) | Claude Debussy, Itzhak Perlman | G Major | 0 | 9B | 120 BPM |
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