Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav. - Live at Thomaskirche Leipzig / 2020" available on February 12, 2021. The duration of Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav. - Live at Thomaskirche Leipzig / 2020's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
Variations on 'Ah, vous dirai-je, Maman': Var. 15 (Più andante) | Johann Christoph Friedrich Bach, Daniil Trifonov | G Major | 1 | 9B | 79 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.10 in E minor BWV879 | Daniel Barenboim | E Minor | 1 | 9A | 148 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.21 in B flat major BWV866 | Daniel Barenboim | B♭ Major | 1 | 6B | 163 BPM | ||
Suite No.2 in F Major, HWV 427: Allegro [Fugue] | George Frideric Handel, Murray Perahia | F Major | 2 | 7B | 194 BPM | ||
Musical Characteristics, Op. 19: II. Prelude 2 alla Haydn | Muzio Clementi, Howard Shelley | C Major | 1 | 8B | 88 BPM | ||
Suite No. 5 in E Major, HWV 430: III. Courante | George Frideric Handel, Dina Ugorskaja | E Major | 3 | 12B | 170 BPM | ||
Concerto in D Minor, RV 535: III. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM |
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