"Ravel: Mother Goose, M. 60: III. Scene: Chinese Princess (Arr. by Peter Sadlo)" by Maurice Ravel, Peter Sadlo, Joseph Paratore, Anthony Paratore was released on November 20, 1995. The duration of Ravel: Mother Goose, M. 60: III. Scene: Chinese Princess (Arr. by Peter Sadlo) is about 3 minutes long, at 3:11. Based on our data, "Ravel: Mother Goose, M. 60: III. Scene: Chinese Princess (Arr. by Peter Sadlo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 6 in the song's album "Piano for Kids: Ravel: Mother Goose (Arr. Peter Sadlo)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Ravel: Mother Goose, M. 60: III. Scene: Chinese Princess (Arr. by Peter Sadlo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Mother Goose, M. 60: III. Scene: Chinese Princess (Arr. by Peter Sadlo) by Maurice Ravel, Peter Sadlo, Joseph Paratore, Anthony Paratore having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Ma mère l'oye, M.60: 1. Pavane de la Belle au bois dormant: Lent | Maurice Ravel, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | C Major | 0 | 8B | 105 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | C Minor | 1 | 5A | 79 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
For Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. Andante | Béla Bartók, Fülöp Ránki | D Major | 1 | 10B | 73 BPM | ||
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer | Nino Rota, Alice Sara Ott | E Major | 1 | 12B | 71 BPM | ||
Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM |
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