George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'O Thou That Tellest Good Tidings To Zion - Live' came out on January 1, 1987. With this song being about 5 minutes long, at 5:27, "O Thou That Tellest Good Tidings To Zion - Live" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 9 out of 54. On top of that, United States appears to be the country where this track was created. O Thou That Tellest Good Tidings To Zion - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Thou That Tellest Good Tidings To Zion - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord bless you and keep you | John Rutter, The Cambridge Singers, City of London Sinfonia | F♯ Major | 0 | 2B | 72 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. Chris Hazell: 10. Jesu bleibet meine Freude | Johann Sebastian Bach, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | G Major | 1 | 9B | 80 BPM | ||
A Spotless Rose | Herbert Howells, Phoenix Chorale, Charles Bruffy, Jacob Herbert | F♯ Minor | 1 | 11A | 79 BPM | ||
A Ceremony of Carols, Op. 28: This Little Babe | Benjamin Britten, Skaila Kanga, New London Children's Choir, Ronald Corp | E♭ Minor | 1 | 2A | 160 BPM | ||
Worthy Is The Lamb That Was Slain-Amen | London Philharmonic Orchestra | D Major | 3 | 10B | 124 BPM | ||
Requiem: V. Agnus Dei (Duke Dobing, flute) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 0 | 7B | 96 BPM | ||
What Sweeter Music | John Rutter, Aiko Goto, Daniel Yeadon, Gondwana Voices, Helena Rathbone, Jemima Littlemore, Lorna Cumming, Maxime Bibeau, Nicole Forsyth, Rosemary Curtin, Sally Maer, Lyn Williams | F♯ Major | 1 | 2B | 170 BPM | ||
Holst: In the Bleak Midwinter (2008 Version) | Gustav Holst, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 0 | 7B | 79 BPM | ||
Tallis: If Ye Love Me | Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger | D Major | 1 | 10B | 135 BPM | ||
The Day Thou Gavest | Clement Cotterill Scholefield, The Choir Of Westminster Abbey, Martin Neary, Martin Baker | A♭ Major | 1 | 4B | 81 BPM |
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