"Années de pèlerinage II, Italy, S. 161: Presto agitato" by Franz Liszt, Alfred Brendel was released on January 1, 1996. The duration of Années de pèlerinage II, Italy, S. 161: Presto agitato is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Années de pèlerinage II, Italy, S. 161: Presto agitato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 35 in Alfred Brendel Plays Liszt by Franz Liszt, Alfred Brendel, Michael Gielen, Wiener Symphoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Années de pèlerinage II, Italy, S. 161: Presto agitato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Années de pèlerinage II, Italy, S. 161: Presto agitato by Franz Liszt, Alfred Brendel is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Widmung | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 0 | 4B | 172 BPM | ||
Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt | Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano | G Minor | 0 | 6A | 80 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |
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