- BPM
- 172
- Key
- D Minor
- Camelot
- 7A
Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1) - Cornelius Oberhauser, Ferdinand Oberhauser Information
- Acousticness
- 98%
- Danceability
- 11%
- Energy
- 13%
- Instrumentalness
- 73%
- Liveness
- 9%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -15.756 dB
Summary
"Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1)" by Cornelius Oberhauser, Ferdinand Oberhauser was released on February 28, 2018. The duration of Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1) is about 3 minutes long, at 3:21. Based on our data, "Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. The popularity of Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1) BPM
With Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1) by Cornelius Oberhauser, Ferdinand Oberhauser having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
Requiem In D Minor - Lacrimosa (As Featured in "Watchmen" Season 1) Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | |
 | Concerto in C minor for Cello, Strings and Basso continuo, RV 401: I. Allegro non molto | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 1 | 10A | 142 BPM | |
 | Swan Lake, Op. 20, Act I No. 10: Scene: Moderato | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali | E Minor | 2 | 9A | 82 BPM | |
 | Days Pass | Adrián Berenguer | A Major | 4 | 11B | 166 BPM | |
 | Walter's Waltz | Ramin Djawadi | G Major | 0 | 9B | 77 BPM | |
 | Zadok the Priest | George Frideric Handel, Thomas Tallis Chamber Choir, Royal Academy Consort, Jeremy Summerly | B♭ Major | 1 | 6B | 123 BPM | |
 | Falten | Luca Longobardi | F Minor | 5 | 4A | 132 BPM | |
 | The Bell Song - From “Florence Foster Jenkins” Soundtrack | Aida Garifullina, London Metropolitan Orchestra, Terry Davies | B♭ Major | 2 | 6B | 81 BPM | |
 | Satyagraha: Protest | Philip Glass, Douglas Perry, Christopher Keene, New York City Opera Orchestra | A Minor | 1 | 8A | 138 BPM | |
 | Schubert: Ave Maria, Op. 52 No. 6, D. 839 (Excerpt) | Franz Schubert, Barbara Bonney, Geoffrey Parsons | A Minor | 3 | 8A | 143 BPM |
- ISRC
- USANG1921670
- Label
- L-M Records/RCA Records
Section: 0.7607009410858154
End: 0.765186071395874