"Johannes-Passion, BWV 245, Pt. 2: No. 26, Choral. In meines Herzens Grunde" by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien, Chorus Viennensis, Vienna Boys' Choir was released on March 22, 2024. With Johannes-Passion, BWV 245, Pt. 2: No. 26, Choral. In meines Herzens Grunde being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt, Vienna Boys' Choir's "Gloria - Ostern mit den Wiener Sängerknaben" album is number 35 out of 38. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Johannes-Passion, BWV 245, Pt. 2: No. 26, Choral. In meines Herzens Grunde's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes-Passion, BWV 245, Pt. 2: No. 26, Choral. In meines Herzens Grunde by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien, Chorus Viennensis, Vienna Boys' Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
St. Matthew Passion, BWV 244 - Part One: "Da nun Jesus war zu Bethanien" | Johann Sebastian Bach, Hans Peter Blochwitz, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | D Minor | 2 | 7A | 99 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Der Himmel lacht! Die Erde jubilieret, BWV 31: So fahr ich hin zu Jesu Christ (Chorus) | Johann Sebastian Bach, Monika Frimmer, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 1 | 3B | 65 BPM | ||
Am Abend aber desselbigen Sabbats, BWV 42: Aria: Wo zwei und drei versammlet sind (Alto) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | E Minor | 1 | 9A | 79 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: 2. Andante | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | C Major | 0 | 8B | 108 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Dich rühmen die Welten, TVWV 1:329: VI. 06 6. Choral: Mitten wir im Leben sind | Georg Philipp Telemann, Solomon's Knot, Jonathan Sells, Les Passions de l’Âme, Meret Lüthi | B♭ Minor | 1 | 3A | 178 BPM | ||
Matthäus Passion, BWV 244, Pt. 1, Anointing in Bethany: IV. Recitative (Evangelist) I, Da versammelten sich die Hohenpriester | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | D♭ Minor | 1 | 12A | 125 BPM |
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