Johann Sebastian Bach, Hans Peter Blochwitz, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti made "St. Matthew Passion, BWV 244 - Part One: "Da nun Jesus war zu Bethanien"" available on January 1, 1988. With St. Matthew Passion, BWV 244 - Part One: "Da nun Jesus war zu Bethanien" being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 57 in Bach, J.S.: St. Matthew Passion BWV 244 by Johann Sebastian Bach, Kiri Te Kanawa, Anne Sofie von Otter, Anthony Rolfe Johnson, Tom Krause, Hans Peter Blochwitz, Olaf Bär, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti. In terms of popularity, St. Matthew Passion, BWV 244 - Part One: "Da nun Jesus war zu Bethanien" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of St. Matthew Passion, BWV 244 - Part One: "Da nun Jesus war zu Bethanien" by Johann Sebastian Bach, Hans Peter Blochwitz, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Flute Sonata in E Minor, BWV 1034: III. Andante | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo, Anssi Mattila | G Major | 0 | 9B | 102 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, Marco Scolastra, I Solisti Filarmonici Italiani, Federico Guglielmo | A Minor | 5 | 8A | 101 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM |
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