Jarmila Novotna, Richard Tauber's 'Schön wie die blaue Sommernacht (Giuditta)' came out on August 27, 2006. The duration of Schön wie die blaue Sommernacht (Giuditta) is about 3 minutes long, at 3:17. Based on our data, "Schön wie die blaue Sommernacht (Giuditta)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 69 in the song's album "Unvergessene Stimmen der Wiener Staatsoper". In this album, this song's track order is #56. Furthermore, we believe that the track originated from Austria. Schön wie die blaue Sommernacht (Giuditta) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schön wie die blaue Sommernacht (Giuditta) by Jarmila Novotna, Richard Tauber having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Sanche (The Castle of Love), S476/R13: Part I: Air: Aimer, aimer voila toute ma gloire (To love, that is all my glory) (Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | G Major | 3 | 9B | 75 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Unis dès la plus tendre enfance" (Pylade) | Christoph Willibald Gluck, Georges Prêtre, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: IV. Et misericordia | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Follie! Follie! Delirio vano è questo | Giuseppe Verdi, Jarmila Novotna, Metropolitan Opera Orchestra, Ettore Panizza | D♭ Major | 4 | 3B | 90 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227, Act I: Ach, du bist wieder da! (Live) | Richard Strauss, Wiener Philharmoniker, George Szell, Maria Reining, Jarmila Novotna | G Major | 2 | 9B | 78 BPM |
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