"Рубаи Хаяма: Фрагменты из балета: I. Шествие вельмож" by Valery Gergiev, Лондонский cимфонический оркестр was released on December 30, 2012. The duration of Рубаи Хаяма: Фрагменты из балета: I. Шествие вельмож is about 3 minutes long, at 3:12. Based on our data, "Рубаи Хаяма: Фрагменты из балета: I. Шествие вельмож" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Толибхон ШАХИДИ: Валерий ГЕРГИЕВ, so we believe that "Рубаи Хаяма: Фрагменты из балета: I. Шествие вельмож" is a single. In terms of popularity, Рубаи Хаяма: Фрагменты из балета: I. Шествие вельмож is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Рубаи Хаяма: Фрагменты из балета: I. Шествие вельмож by Valery Gergiev, Лондонский cимфонический оркестр is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
The Maid of Pskov: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 100 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Danse générale (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 2 | 11B | 99 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70: V. Allegretto | Dmitri Shostakovich, Valery Gergiev, Munich Philharmonic Orchestra | B♭ Minor | 2 | 3A | 130 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM |
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