Max Bruch, ORF Vienna Radio Symphony Orchestra, Howard Griffiths made "Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato" available on September 27, 2019. Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 8 out of 9 in Bruch: Double Concertos, Adagio appassionato & Loreley Overture by Max Bruch, ORF Vienna Radio Symphony Orchestra, Howard Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. The popularity of Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato by Max Bruch, ORF Vienna Radio Symphony Orchestra, Howard Griffiths is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 4 in D Minor, Op. 31: I. Andante - Moderato | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Minor | 1 | 7A | 75 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Nocturne in E-Flat Major, Op. 55, No. 2 | Frédéric Chopin, Lang Lang | E♭ Major | 0 | 5B | 65 BPM | ||
String Quartet in C Minor, Op. Posth.: II. Adagio | Max Bruch, Diogenes Quartet | A♭ Major | 1 | 4B | 88 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM |
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