- BPM
- 127
- Key
- A♭ Major
- Camelot
- 4B
Total Eclipse of the Heart - London Symphony Orchestra, Royal Choral Society Information
- Acousticness
- 80%
- Danceability
- 41%
- Energy
- 20%
- Instrumentalness
- 72%
- Liveness
- 13%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 18%
- Loudness
- -16.845 dB
Summary
"Total Eclipse of the Heart" by London Symphony Orchestra, Royal Choral Society was released on September 4, 1985. Total Eclipse of the Heart is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 11 in the song's album "The Power Of Classic Rock (with The Royal Choral Society)". In this album, this song's track order is #9. Based on our statistics, Total Eclipse of the Heart's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Total Eclipse of the Heart BPM
With Total Eclipse of the Heart by London Symphony Orchestra, Royal Choral Society having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Total Eclipse of the Heart Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Love Story – Theme (Arr. Campbell) | Francis Lai, Jess Gillam, Ben Dawson, Charles Mutter, Michael Gray, Timothy Welch, Benjamin Hughes, Andrew Wood | C Minor | 2 | 5A | 78 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM | |
 | Ode to Joy | The Violin Sisters | G Major | 3 | 9B | 87 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | The Sound of Silence | Allen & Bright | G Major | 3 | 9B | 96 BPM | |
 | The Deer Hunter Theme | Edward Cullen | E Major | 1 | 12B | 77 BPM | |
 | Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | |
| Tchaikovsky: Swan Lake, Op. 20, Act 3: Arrival of the Guests & Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Major | 1 | 4B | 91 BPM | |
 | Entry of the Gods into Valhalla | Richard Wagner, London Symphony Orchestra, Yondani Butt | D♭ Major | 0 | 3B | 51 BPM | |
 | Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel Gough | E♭ Major | 0 | 5B | 130 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6692514419555664
End: 0.6750962734222412