"The Art of Fugue, BWV 1080: Contrapunctus 5" by Johann Sebastian Bach, Keller Quartett was released on 1988. The duration of The Art of Fugue, BWV 1080: Contrapunctus 5 is about 3 minutes long, at 3:05. Based on our data, "The Art of Fugue, BWV 1080: Contrapunctus 5" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Keller Quartett's "J.S Bach - Die Kunst Der Fuge" album is number 5 out of 20. On top of that, Germany appears to be the country where this track was created. The Art of Fugue, BWV 1080: Contrapunctus 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Art of Fugue, BWV 1080: Contrapunctus 5 by Johann Sebastian Bach, Keller Quartett to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pavan & Galliard No. 2 in C Major "Kinborough Good" | William Byrd, Glenn Gould | C Major | 1 | 8B | 105 BPM | ||
Prelude "Laet ons met herten reijne" (MB 14/56; BL Add. MS 23623 f. 65) | John Bull, Kit Armstrong | E♭ Minor | 2 | 2A | 88 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Missa in G Minor, BWV 235: II. Gloria | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
32 Variations in C Minor, WoO 80: Variations 3-5 | Ludwig van Beethoven, Glenn Gould | C Major | 4 | 8B | 130 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
The Art of Fugue, BWV 1080: Contrapunctus 2 | Johann Sebastian Bach, Keller Quartett | D Minor | 1 | 7A | 76 BPM | ||
Suite in A Major, BWV 1025: VI. Menuet | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | A♭ Major | 1 | 4B | 135 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 6 L'Entretien des Muses | Jean-Philippe Rameau, Jean Rondeau | C Minor | 2 | 5A | 66 BPM |
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