"Prelude "Laet ons met herten reijne" (MB 14/56; BL Add. MS 23623 f. 65)" by John Bull, Kit Armstrong was released on July 9, 2021. With Prelude "Laet ons met herten reijne" (MB 14/56; BL Add. MS 23623 f. 65) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of William Byrd & John Bull: The Visionaries of Piano Music by Kit Armstrong. The song's track number on the album is #12 out of 33 tracks. Based on our data, Germany was the country where this track was produced or recorded. Prelude "Laet ons met herten reijne" (MB 14/56; BL Add. MS 23623 f. 65) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Prelude "Laet ons met herten reijne" (MB 14/56; BL Add. MS 23623 f. 65) by John Bull, Kit Armstrong has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Prelude "Laet ons met herten reijne" (MB 14/56; BL Add. MS 23623 f. 65) being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Invention in D Minor, Bwv 775 | Bach to Bonkers | D Minor | 1 | 7A | 85 BPM | ||
D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) | Jean-Henri d'Anglebert, Alexandre Tharaud | G Minor | 1 | 6A | 70 BPM | ||
Waldszenen, Op. 82: No. 3, Einsame Blumen | Schumann, Zlata Chochieva | B♭ Major | 1 | 6B | 183 BPM | ||
Danze della mia bambola, Op. 8: No. 2, Hésitation | Emma Bianchini, Gottlieb Wallisch | G Major | 0 | 9B | 75 BPM | ||
25 melodische Etüden, Op. 45: No. 1, Allegretto | Stephen Heller, Jan Vermeulen | C Major | 1 | 8B | 126 BPM | ||
Violin Sonata in D Major, K. 306: III. Allegretto | Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong | D Major | 2 | 10B | 146 BPM | ||
Courante "Juweell" | John Bull, Korneel Bernolet | G Major | 1 | 9B | 182 BPM | ||
Andantino in C Major, Wq. 116/23, H. 249 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 0 | 8B | 88 BPM | ||
Two Gavottes, WoO 3: No. 2 in A Major | Johannes Brahms, Sara Costa | B♭ Major | 2 | 6B | 85 BPM | ||
Menus Propos Enfantins - III. Valse Du Chocolat Aux Amandes | Mu Dimon, Songs of Birdland | C Major | 1 | 8B | 170 BPM |
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