Gustav Holst, Kansas City Symphony, Michael Stern's 'The Planets, Op. 32, H. 125: IV. Jupiter, the Bringer of Jollity' came out on October 11, 2019. Since The Planets, Op. 32, H. 125: IV. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Kansas City Symphony, Michael Stern, Charles Bruffy's "Holst: The Planets, Op. 32, H. 125 & The Perfect Fool Suite, Op. 39, H. 150" album is number 4 out of 8. Based on our statistics, The Planets, Op. 32, H. 125: IV. Jupiter, the Bringer of Jollity's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32, H. 125: IV. Jupiter, the Bringer of Jollity by Gustav Holst, Kansas City Symphony, Michael Stern to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Printemps, L. 61: I. Très modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Major | 0 | 1B | 88 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM |
Section: 0.633014440536499
End: 0.637718915939331