Johann Sebastian Bach, Yo-Yo Ma made "Unaccompanied Cello Suite No. 1 in G major, BWV 1007: VI. Gigue" available on August 17, 2018. With Unaccompanied Cello Suite No. 1 in G major, BWV 1007: VI. Gigue being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Six Evolutions - Bach: Cello Suites". In this album, this song's track order is #6. Based on our statistics, Unaccompanied Cello Suite No. 1 in G major, BWV 1007: VI. Gigue's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Unaccompanied Cello Suite No. 1 in G major, BWV 1007: VI. Gigue by Johann Sebastian Bach, Yo-Yo Ma having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un rêve (Fauré) - Commentary | Yo-Yo Ma, Kathryn Stott | D♭ Major | 1 | 3B | 108 BPM | ||
Cello Suite, Op. 76: II. Quarter Note = 96 | Alexander Tcherepnin, Yo-Yo Ma | C Major | 0 | 8B | 80 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM | ||
Quatrième concert: III. La Rameau | Jean-Philippe Rameau, Víkingur Ólafsson | B♭ Major | 3 | 6B | 101 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Musical Offering, Op. 6, BWV 1079: Sonata sopr'il Reale a traversa: IV. Allegro | Johann Sebastian Bach, Jean-Pierre Rampal, John Steele Ritter, Isaac Stern, Leslie Parnas | C Minor | 3 | 5A | 118 BPM | ||
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 3. Allegro | Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | G Minor | 4 | 6A | 96 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | G Major | 1 | 9B | 122 BPM |
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