"Aida, Act I, Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames)" by Giuseppe Verdi, Grace Bumbry, Franco Corelli, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. The duration of Aida, Act I, Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames) is about 3 minutes long, at 3:09. Based on our data, "Aida, Act I, Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi - Aida by Giuseppe Verdi, Zubin Mehta, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Grace Bumbry, Franco Corelli, Mario Sereni. The song's track number on the album is #5 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Aida, Act I, Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida, Act I, Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames) by Giuseppe Verdi, Grace Bumbry, Franco Corelli, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Aida, Act I, Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Walküre / Dritter Aufzug: "Hojotoho! Heiaha!" | Richard Wagner, Vera Schlosser, Berit Lindholm, Brigitte Fassbaender, Helen Watts, Helga Dernesch, Vera Little, Claudia Hellmann, Marilyn Tyler, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 143 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Un Bel Di Vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | D♭ Major | 2 | 3B | 93 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
La forza del destino, Act III, Scene III: Rataplan | Giuseppe Verdi, Anna Maria Chiuri, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM |
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