"Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata V. "Sitio"" by Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields was released on December 1, 2023. Since Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata V. "Sitio" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 61 in the song's album "Sir Neville Marriner Conducts Haydn". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata V. "Sitio" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata V. "Sitio" by Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Viola Concerto in C Major: I. Allegro moderato | Jan Krtitel Vanhal, Prague Chamber Orchestra, Lubomír Malý | C Major | 1 | 8B | 123 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": II. Andante o più tosto allegretto | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 2 | 11B | 100 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 85 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
Section: 0.7406032085418701
End: 0.7437622547149658