"Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet [arr. W. Kempff for piano]" by George Frideric Handel, Roland Pöntinen was released on May 31, 1995. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Pontinen, Roland: Evocation - Legendary Encores". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet [arr. W. Kempff for piano] is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet [arr. W. Kempff for piano] by George Frideric Handel, Roland Pöntinen having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Les Baricades Mistérieuses: 6ème ordre, 2ème livre | François Couperin, Iddo Bar-Shaï | B♭ Major | 0 | 6B | 90 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and piano) | Pablo Casals, Amit Peled, Noreen Polera | A Minor | 4 | 8A | 167 BPM | ||
Spring 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | E Major | 3 | 12B | 111 BPM | ||
Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) | Jules Massenet, Mischa Maisky, Lily Maisky | D Major | 1 | 10B | 70 BPM | ||
Adagio for Strings and Organ in G minor | Remo Giazotto, Maria Teresa Garatti, I Musici | C Minor | 1 | 5A | 111 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
Britten: Night Piece "Notturno" | Benjamin Britten, Stephen Hough | E♭ Major | 0 | 5B | 67 BPM |
Section: 0.6294124126434326
End: 0.6329514980316162