Grande messe des morts, Op. 5, "Requiem": Quaerens me
Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison
Berlioz: Requiem, Op. 5
4:51 June 18, 1999
BPM
79
Key
B♭ Major
Camelot
6B

Embed

Share Link

Grande messe des morts, Op. 5, "Requiem": Quaerens me - Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison Information

Acousticness
98%
Danceability
7%
Energy
3%
Instrumentalness
81%
Liveness
9%
Loudness
54%
Speechiness
5%
Valence
3%
Popularity
Loudness
-27.739 dB

Summary

"Grande messe des morts, Op. 5, "Requiem": Quaerens me" by Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison had its release date on June 18, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 10 in Berlioz: Requiem, Op. 5 by Hector Berlioz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Grande messe des morts, Op. 5, "Requiem": Quaerens me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Grande messe des morts, Op. 5, "Requiem": Quaerens me BPM

The tempo marking of Grande messe des morts, Op. 5, "Requiem": Quaerens me by Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Grande messe des morts, Op. 5, "Requiem": Quaerens me Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Troyens / Act 4: No.34 Scène et chant d'Iopas: Les Troyens / Act 4: No.34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès"Hector Berlioz, Françoise Pollet, Jean-Luc Maurette, Orchestre Symphonique de Montréal, Charles DutoitF Major07B170 BPM
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic MorlotMasques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivoGabriel Fauré, Seattle Symphony Orchestra, Ludovic MorlotD Minor17A101 BPM
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka by Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo JärviShostakovich: Suite from the Age of Gold, Op. 22: II. PolkaDmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo JärviD Minor17A91 BPM
In the Steppes of Central Asia by Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore KucharIn the Steppes of Central AsiaAlexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore KucharA Major011B68 BPM
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 2: Scène. Moderato by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery GergievSwan Lake, Op.20 - Mariinsky Version / Act 1: Scene 2: Scène. ModeratoPyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery GergievE Minor29A87 BPM
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus by Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerDie Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final ChorusSlovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerD Minor47A72 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsF Major17B124 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer by Anton Bruckner, Wiener Philharmoniker, Herbert von KarajanSymphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamerAnton Bruckner, Wiener Philharmoniker, Herbert von KarajanF Major27B74 BPM
Mahler: Symphony No. 2, Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) -Gustav Mahler, Sir Simon Rattle, Berliner PhilharmonikerF♯ Major02B122 BPM
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato by Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel HardingConcerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderatoRichard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel HardingD Major210B133 BPM
ISRC
HKI199843505
Label
L-M Records/RCA Records