Es Steh'n Vor Gottes Throne Bwv 309 - Nicol Matt, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Ute Petersilge, Martina Rotbauer, Robert Sagasser, Jörg Halobek, Heike Hümmer, Johann Sebastian Bach, Nordic Chamber Choir Information

Acousticness: 97%
Danceability: 34%
Energy: 29%
Instrumentalness: 8%
Liveness: 10%
Loudness: 73%
Speechiness: 4%
Valence: 59%
Popularity: 2%
Loudness: -16.495 dB

Summary

Nicol Matt, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Ute Petersilge, Martina Rotbauer, Robert Sagasser, Jörg Halobek, Heike Hümmer, Johann Sebastian Bach, Nordic Chamber Choir made "Es Steh'n Vor Gottes Throne Bwv 309" available on March 28, 2007. With Es Steh'n Vor Gottes Throne Bwv 309 being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 48 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Es Steh'n Vor Gottes Throne Bwv 309 is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Es Steh'n Vor Gottes Throne Bwv 309 BPM

The tempo marking of Es Steh'n Vor Gottes Throne Bwv 309 by Nicol Matt, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Ute Petersilge, Martina Rotbauer, Robert Sagasser, Jörg Halobek, Heike Hümmer, Johann Sebastian Bach, Nordic Chamber Choir is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Es Steh'n Vor Gottes Throne Bwv 309 Key

This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

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Concerto Grosso Op. 6 No. 4: I. Adagio - Allegro	Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi	D♭ Major	4	3B	130 BPM
4. Aria: Du Held	Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester	F Minor	2	4A	168 BPM
Deutsche Messe, D. 872: Schlussgesang: Nicht zu langsam	Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen	E Major	0	12B	76 BPM

ISRC: NLN580506656
Label: L-M Records/RCA Records

Section: 0.7367186546325684

End: 0.7411065101623535