Nicol Matt, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Ute Petersilge, Martina Rotbauer, Robert Sagasser, Jörg Halobek, Heike Hümmer, Johann Sebastian Bach, Nordic Chamber Choir made "Es Steh'n Vor Gottes Throne Bwv 309" available on March 28, 2007. With Es Steh'n Vor Gottes Throne Bwv 309 being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 48 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Es Steh'n Vor Gottes Throne Bwv 309 is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Es Steh'n Vor Gottes Throne Bwv 309 by Nicol Matt, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Ute Petersilge, Martina Rotbauer, Robert Sagasser, Jörg Halobek, Heike Hümmer, Johann Sebastian Bach, Nordic Chamber Choir is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 2, Erleuchte mich, o segenvolles Licht | Georg Philipp Telemann, Bergen Barokk | F♯ Minor | 2 | 11A | 115 BPM | ||
Un Sarao de la Chacona | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 145 BPM | ||
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Jesu, meine Freude, BuxWV 60: VI. Gute Nacht, ihr Sünden | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Caroline Weynants, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 125 BPM | ||
Les Chansons des roses: No. 5. Dirait-on | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 0 | 3B | 76 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: III. Fürchte dich Nicht! | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E♭ Major | 2 | 5B | 123 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 15, "Nachtigall" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | A♭ Major | 2 | 4B | 105 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Magnificat in D Major, BWV 243: Quia respexit (Soprano) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | B Minor | 0 | 10A | 75 BPM |
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