"Les Chansons des roses: No. 5. Dirait-on" by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt was released on January 1, 2006. With this song being about 5 minutes long, at 5:01, "Les Chansons des roses: No. 5. Dirait-on" by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Morten Lauridsen, Nicol Matt's "Lauridsen: O Magnum Mysterium / Lux Aeterna / Madrigali / Les Chansons Des Roses" album is number 5 out of 17. On top of that, Germany appears to be the country where this track was created. Les Chansons des roses: No. 5. Dirait-on is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Chansons des roses: No. 5. Dirait-on by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aeternam | Bernat Vivancos, Latvian Radio Choir, Sigvards Kļava | B Minor | 1 | 10A | 65 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Trinity Requiem: In paradisum | Robert Moran, Trinity Youth Chorus, Robert Ridgell | A♭ Major | 1 | 4B | 82 BPM | ||
Sure on this shining night, Op. 13, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson, Faith Debow | B♭ Major | 0 | 6B | 80 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM | ||
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM |
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